To celebrate the reopening of groundbreaking gallery SUBLIMINAL PROJECTS in its new location on 1331 W Sunset Blvd this Saturday nite, April 5th, founder SHEPARD FAIREY has chosen none other than Parisian street artist BLEK LE RAT as the subject of the hotspot’s inaugural exhibition. Blek’s “Art is Not Peace but War,” a show of new spraypaint on canvas works by the pioneering artist whose work predates that of followers like Fairey, Banksy, and Nick Walker by over a decade showcases his seminal high contrast iconography in what will be the artist’s first solo exhibition in the US. For all those fans not lucky enough to get their hands on an original (prices range from $9,000–$40,000), Subliminal is making available a set of four black and white prints of Blek’s work as photographed on the street by Sybille Prou, and signed by her, Blek, and the Rat’s frequent co-conspirator, Shepard Fairey for $100 each. The show opens at 8pm, the faithful best start saving their pennies now, and plan to queue up early. HAVE A LOOK:
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MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:
FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.
UKRAINE///FIRST LOOK: DAMIEN HIRST’S “REQUIEM” CAREER RETROSPECTIVE AT THE PINCHUK ART CENTER

Last weekend saw the DAMIEN HIRST’s first grand spectacle of 2009 when his daunting career retrospective “Requiem” opened at the PINCHUK ART CENTER in the unlikely city of Kiev, Ukraine. Not exactly known as an epicenter of fine art (unless you count the Ukrainian girls, that is), resident steel billionaire and obsessed Hirst collector VICTOR PINCHUK aims to change that by launching the epic visual spectacle that includes over 100 works (a vast amount of which came from Pinchuk’s private collection) by the British artist from 1998 – 2008 in his own privately funded art palace that holds the title as the largest private museum in the former Soviet Union. The fact that this grandiose show of power comes at a time when…
NEWS///RIP///IN LOVING MEMORY OF PHOTOGRAPHER SHAWN MORTENSEN 1966—2009

It is truly with a heavy heart that we must break the news that one of Supertouch’s dear friends, photographer SHAWN MORTENSEN, passed away last nite. A kinetic force of optimism and seemingly limitless positive energy, Shawn’s hearty career as a photojournalist and artist took him around the world several times over, unselfishly spreading his endless supply of good vibes as he went. Particularly renowned for his portraits of musicians, artists, and entertainers, Shawn photographed a stunning array of pop culture demigods in his 20+ year career including…
BEVERLY HILLS///JOHN WATERS BRINGS “REAR PROJECTION” TO HOLLYWOOD

As a director of some of the most acclaimed highbrow B-movies of all time, Supertouch amigo JOHN WATERS needs no further introduction. Quietly working the night shift as a fine artist for years now, the Baltimore-bound obsessive’s hard work has finally landed him a spot in the most hallowed hall of the modern art world, namely, the GAGOSIAN GALLERY, where the artist’s solo “Rear Projection” show opened to a throng of Hollywood players, weirdos, fanboys and girls, and well-wishing lookie-loos on Saturday nite. Comprised largely of C-prints of photos Waters has taken of TV screens bearing his favorite stills from movies of all kinds, the works pulse with the raw humor and dry wit that is Waters’ hallmark…




