HONG KONG///VINYL CULTURE///FIRST LOOK: MICHAEL LAU’S “CRAZY FORCE 1″ EXHIBITION

December 4th, 2008

crazyforce1.jpg
crazyforce2.jpg

Hong Kong Sneaker and vinyl fetishists were on cloud nine last week when hoometown art hero MICHAEL LAU opened his “Crazy Force 1” art show at MICHAEL GALLERY. A collaborative project between the seminal toymaker’s “Crazy Children” series and NIKE SPORTSWEAR’s “1World” Air Force 1 program, the show featured a shoe box-like interior printed with Lau’s “padded cell” print with artwork by Lau visible only through Swoosh-shaped cutouts in the wall. In the far corner of the room stood the artist’s life-sized “Crazy Force” character solo in a corner. Of course no proper collab would be complete without to-die-for limited-edition product and Lau did not disappoint in offering fans a signature Nike Air Force 1 sneaker with an upper constructed of his quilted “padded cell” leather and a pocket-sized version of his “Crazy Force” character. Needless to say, supplies sold out in seconds and Lau’s reputation as the king of the game remained undefeated. HAVE A LOOK:

Opening photos by ST HK homie Very Masa

crazyforce9.jpg

crazyforce6.jpg

crazyforce5.jpg

crazyforce14.jpg

crazyforce4.jpg

crazyforce2.jpg

crazyforce1.jpg

crazyforce7.jpg

crazyforce11.jpg

crazyforce8.jpg

crazyforce3.jpg
Michael Lau, forever on top of his game…

crazyforce10.jpg
The multicolored limited-edition “Crazy Force” run to come…

crazyforce13.jpg
And the ultra-limited edition of 10 friends and family black figures…

POSTED BY J O'Shea/Editor

Leave a Reply

Exclusive

Features

NEWS///OPENING NITE: SHEPARD FAIREY’S “SUPPLY & DEMAND” AT CINCINNATI CAC BREAKS ATTENDANCE RECORD

Screen shot 20s10-02-21 at 7.54.39 PM
Friday was a big nite in the Midwest when SHEPARD FAIREY’s Ohio installment of his traveling retrospective “Supply & Demand” opened at the CINCINNATI CONTEMPORARY ARTS CENTER and shattered the institution’s all-time attendance record.

Read Full Article

NYC///ART HYPE///MR BRAINWASH PERFECTS THE ART OF TURD POLISHING WITH THE OPENING OF “ICONS”

4363964574_0f10031e70_o
What has to be the final nail in the “Street Art” coffin was driven in last weekend by none other than MR. BRAINWASH (aka: “The Christian Audigier of Street Art”) when he opened his massive, self-produced “Icons” show in a rented space (which, ironically, was once a real art gallery, pre-recession) in the heart of Chelsea. As the subject of Brit Street Art king Banksy’s recent docu-parody film, “Exit Through The Gift Shop,” MBW has been the focus of much hype and speculation as his presence finally seeps into the fairly muddy stream of mainstream consciousness. Last week’s Wall Street Journal article articulated this particularly well:

Read Full Article

FASHION///R.I.P./// DESIGNER ALEXANDER McQUEEN COMMITS SUICIDE IN LONDON

alexandermc
One of the fashion world’s foremost visionary designers ALEXANDER McQUEEN was found dead today in his London apartment, an apparent suicide just days after the death of his mother, and the suicide of one of his close friends Isabella Blow, who discovered the young designer and helped forge his early career:

Read Full Article

MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

ScreeRRn shot 2010-02-03 at 2.55.18 PM
Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:

Read Full Article

FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

SHEPVRRISIT1
By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.

Read Full Article