Over the years much has been said in the media about the burgeoning problem of gang violence in America, with particular emphasis on the legacy of LA’s notorious Crips & Bloods factions. Now, Skate industry legend and Bones Brigade mastermind-turned filmmaker STACY PERALTA, hopes to have created the definitive documentary on the phenomenon with his new film “Crips and Bloods: Made in America.” Known as the director of the excellent “Dogtown and Z-Boys” and porno-rifically named “Riding Giants,” Peralta leveraged his underground status to penetrate some of the most dangerous neighborhoods and situations in Los Angeles in his quest to obtain footage of the rival sets’ most violent leaders and “soldiers.” Narrated by actor FOREST WHITAKER, the film traces the origins of LA’s gang culture to the shocking, war-zone reality of daily life in inner-city Los Angeles as members of the Crips and Bloods perpetuate their bloody four-decades long feud. Contemporary and former gang members offer their street-level testimony that provides the film with a stark portrait of modern-day gang life: the turf wars and territorialism, the inter-gang hierarchy and family structure, the rules of behavior, the culture of guns, death and dishonor. Peralta also shines light on the overarching social causes of gang culture and a political system seemingly disinterested in bringing about its demise through effective outreach in favor of mass incarceration. Set to debut with a one week run later this month at NYC’s IFC Theater (January 23–29), before moving to LA’s Laemmle’s Sunset 5 (February 6–12), the film will continue on with arthouse showings in Chicago, San Francisco, Portland, and Seattle before seeing mass release. Don’t miss it…
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NEWS///OPENING NITE: SHEPARD FAIREY’S “SUPPLY & DEMAND” AT CINCINNATI CAC BREAKS ATTENDANCE RECORD

Friday was a big nite in the Midwest when SHEPARD FAIREY’s Ohio installment of his traveling retrospective “Supply & Demand” opened at the CINCINNATI CONTEMPORARY ARTS CENTER and shattered the institution’s all-time attendance record.
NYC///ART HYPE///MR BRAINWASH PERFECTS THE ART OF TURD POLISHING WITH THE OPENING OF “ICONS”

What has to be the final nail in the “Street Art” coffin was driven in last weekend by none other than MR. BRAINWASH (aka: “The Christian Audigier of Street Art”) when he opened his massive, self-produced “Icons” show in a rented space (which, ironically, was once a real art gallery, pre-recession) in the heart of Chelsea. As the subject of Brit Street Art king Banksy’s recent docu-parody film, “Exit Through The Gift Shop,” MBW has been the focus of much hype and speculation as his presence finally seeps into the fairly muddy stream of mainstream consciousness. Last week’s Wall Street Journal article articulated this particularly well:
FASHION///R.I.P./// DESIGNER ALEXANDER McQUEEN COMMITS SUICIDE IN LONDON

One of the fashion world’s foremost visionary designers ALEXANDER McQUEEN was found dead today in his London apartment, an apparent suicide just days after the death of his mother, and the suicide of one of his close friends Isabella Blow, who discovered the young designer and helped forge his early career:
MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:
FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.

