Art Crimes

NYC///STREET LIFE///YOSHITOMO NARA BUSTED FOR GRAFFITI IN MANHATTAN

March 11th, 2009

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In town for the opening of his eponymous solo show at MARIANNE BOESKY GALLERY, Japan’s YOSHITOMO NARA just couldn’t help himself in the Subway at Union Station when the graffiti urge overtook him. Unfortunately, New York’s “Finest” don’t exactly see drawings as “art” when they’re on walls instead of paper and the delicate art star spent two days in the slammer. Ouch:

POP ARTIST YOSHITOMO NARA ARRESTED FOR GRAFFITI IN NEW YORK
March 10, Japan Today

Yoshitomo Nara, a contemporary Japanese pop artist known for sculptures and paintings of doe-eyed figures, was arrested in late February for tagging graffiti in the Union Square subway station, a New York Police Department official said Monday.

Nara was arrested at 3:10 a.m. on Feb 27 and charged with criminal mischief, possession of graffiti instruments, making graffiti and resisting arrest, detective Martin Speechley told Kyodo News in a phone interview. An official at a New York art gallery where Nara’s exhibits are currently on display said the artist has already been released.

Nara, 49, who lives and works in Tochigi Prefecture, was in New York for a solo exhibition of his work at the Marianne Boesky Gallery that runs Feb 28 through March 28. The online edition of Art in America magazine said Nara was caught tagging a graffiti portrait of two Japanese friends in the subway station and he was optimistic about his two days in lockup.

It was ‘‘a nice experience in my life,’’ the artist was quoted as saying. He said the environment in which he found himself was like something in the movies. Nara emerged on the art scene during Japan’s pop art movement in the 1990s and has held solo exhibitions worldwide. His works are on display at New York’s Museum of Modern Art. Click HERE to read more…

NEWS///SHEPARD FAIREY ARRESTED FOR STREET ART IN BOSTON

February 7th, 2009

Supertouch’s own SHEPARD FAIREY was arrested for alleged vandalism claims while attempting to enter the grand public opening of his first museum solo show at the INSTITUTE OF CONTEMPORARY ART/BOSTON last nite. Currently he’s out on bail and awaiting a court appearance in Boston on Monday:

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“A street artist famous for his red, white and blue “Hope” posters of President Obama was arrested in Boston, where he was wanted on warrants for tagging property with graffiti.

Shepard Fairey, 38, was arrested Friday night on his way to the Institute of Contemporary Art. Fairey was scheduled to deejay a kickoff event at the museum for his first-ever solo exhibition, called “Supply and Demand.”

Two warrants were issued for Fairey on Jan. 24 after police determined he’d tagged property in two locations with graffiti based on the Andre the Giant street art campaign from his early career, Boston Police Officer James Kenneally said Saturday.

Fairey, of Los Angeles, is scheduled to be arraigned on the misdemeanor charges Monday in Brighton District Court, said Jake Wark, a spokesman for the Suffolk District Attorney. Wark said Fairey would also be arraigned on a default warrant related to a separate graffiti case in the Roxbury section of Boston.

Fairey has spent the last two weeks in the Boston area installing the ICA exhibit, giving public talks and creating outdoor art, including a 20-by-50 foot banner on the side of City Hall, according to a statement issued Saturday by the ICA.

The museum described the reason for Fairey’s arrest as “his efforts posting his art in various areas around the city.”

“We believe Shepard Fairey has made an important contribution in the history of art and to popular thinking about art and its role in society,” the statement said. “We are enthusiastic to be working with him and are pleased to be showing the first museum retrospective of his work.”

The museum said Fairey was released a few hours after his arrest, but that could not immediately be confirmed by authorities. A California lawyer who has represented Fairey in the copyright case didn’t immediately respond to an e-mail seeking comment on the arrest.” Click HERE to continue reading…

ART CRIMES///RON ENGLISH UNVEILS “ABRAHAM OBAMA” BILLBOARD IN HOLLYWOOD & SEATTLE

January 22nd, 2009

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Ron English brings “Abraham Obama” to Hollywood, and the cold heart of Seattle…

Supertouch’s own RON ENGLISH has been a very busy man in LA and Seattle this week following his stop in DC to celebrate BARACK OBAMA’s inauguration on Tuesday. Located at the corner of Pico & Fairfax in Hollywood, this newly “liberated” billboard features Ron’s iconic “Abraham Obama” hybrid portrait created for the Big O’s presidential campaign last year. HAVE A LOOK: Read the rest of this entry »

NEWS///STREET POLITIKS///OBAMA GETS UP ON BANKSY IN NEW ORLEANS

December 9th, 2008

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Barack Obama does, in fact, have a posse, it seems…

We never thought it would come to this, but it seems BARACK OBAMA’s street team has confronted UK street art phenom BANKSY head-on in a battle for the streets of NEW ORLEANS where the Bristol Bad Boy recently made a well-publicized art run. You’re up, Banks…

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Banksy’s post-Katrina, pre-Obama original…

LONDON///TIM BISKUP AT THE LAZARIDES “SHUT DOWN” PARTY

October 22nd, 2008

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After buying a new Banksy piece, Tim Biskup found time to make nice with the ladies…

The art “Extravaganza” event that was originally scheduled to take place at the now infamous LAZARIDES GALLERY in London last week during the throes of the FRIEZE ART FAIR was instead turned into the “Shut Down Show” after the local authorities canned STEVE LAZARIDES‘ original setup over gambling concerns. Turns out Laz’s grand plan to sell 250 tickets at £5,000 GBP each for the event—which guaranteed every participant a 1-in-10 chance of winning an original piece of art from the gallerist’s stable of artists including Miranda Donovan and Faile and included a raffle of an original BANKSY oil painting valued at more than £300,000 GBP—looked more like a mini casino operation to the gambling commission than a proper art show. Instead, Lazarides stepped to the plate and converted the original fete into an equally impressive group show of art by ANTHONY MICALLEF, INVADER, PAUL INSECT, and JONATHAN YEO, to name a few, that also included several vintage works by Banksy, including the “corrupted” oil painting that was to serve as the centerpiece of the raffle. While everyone who bought tickets for the original party was given a full refund and a piece of free artwork for their trouble, the new show did include a “Gnome Bowling” game whereby anyone knocking down a set of gnome bowling pins received a piece of free art, a less-than-subtle F.U. to the gambling commission if there ever was one. Of course, our man TIM BISKUP was on the scene to take in the spread, pick up on the ladies, and even DJ’d the afterparty side-by-side with Supertouch homie ACYDE at SoHo HOUSE where show attendees like DENNIS HOPPER tore it up late into the foggy eve. HAVE A LOOK: Read the rest of this entry »

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POSTED BY J O'Shea/Editor

STREET LIFE///DONNY MILLER’S “GAS SIGNS: TRUTH IN ADVERTISING” CAMPAIGN

October 17th, 2008

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Donny Miller’s come a long way from his days pumping gas to the newly-crowned minister of propaganda for the oil industry. Only in America…

A lot of wind has blown out of the current president and the two battling candidates about the state of the financial world we’re all wallowing in. Meanwhile, Supertouch’s own DONNY MILLER has been taking it upon himself to address our problem with fossil fuels with his “Gas Stations: Truth in Advertising” campaign. HAVE A LOOK: Read the rest of this entry »

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POSTED BY J O'Shea/Editor

NYC///BANKSY’S “VILLAGE PET STORE AND CHARCOAL GRILL” OPEN FOR BUSINESS

October 13th, 2008

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A cosmetically-inclined caged bunny self-tests. Outside, Banksy sits and awaits his first customer of the day…

Street art aficionados and cynical phenomenologists (we don’t know any of those) have been long awaiting SIR BANKSY’s official New York debut but surely even the most imaginative punter couldn’t have guessed that the Bristol Bad Boy’s first show in the Apple would come in the form of a mock pet store with nothing inside for sale. That’s exactly what the “street art” king’s adoring public got, however, when the doors to “The Village Pet Store and Charcoal Grill” opened at 89 7th Avenue (between Bleeker and West 4th) last Thursday, October 9th, revealing what seemed from the outside to be a small West Village pet shop stocked not with purring kittens and wiggly puppies, but a more sinister menagerie. Inside, animatronic chicken nuggets, porno watching monkeys, coexisted alongside ageing tweety birds, swimming fish sticks, and suggestively writing caged hot dogs, in what can only be described as an entirely unique visual critique of the state of animal husbandry in the modern world. In the words of Banksy himself, “New Yorkers don’t care about art, they care about pets. So I’m exhibiting them instead. I wanted to make art that questioned our relationship with animals and the ethics and sustainability of factory farming, but it ended up as chicken nuggets singing. I took all the money I made exploiting an animal in my last show and used it to fund a new show about the exploitation of animals. If its art and you can see it from the street, I guess it could still be considered street art.” The show is open for viewing from 10am—12am daily and remains on view until Halloween. Click HERE to read the NY Times review of the show. Meanwhile, HAVE A LOOK: Read the rest of this entry »

NYC///STREET LIFE///BANKSY ON THE LINE

October 13th, 2008

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POSTED BY J O'Shea/Editor

NYC///STREET LIFE///BANKSY’S 2ND ROUND OF LEGAL BILLBOARD DROPS

October 13th, 2008

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The rats in NYC keep getting bigger…

As we mentioned last week, BANKSY is indeed in Manhattan, this time for the opening of his self-funded mock pet store installation, titled “Village Pet Store and Charcoal Grill,” and he’s spending big to post huge—and, yes, LEGAL—wall-sized murals around downtown to prove it. These two new installments—located at Houston & MacDougal and Canal Street near the Holland Tunnel—were again paid for by the deepening pockets of Sir Banksy himself, and executed by expert sign painters, COLOSSAL MEDIA, who just days prior installed the reigning street art king’s first two mega-rats. HAVE A LOOK: Read the rest of this entry »

NEWS///SHEPARD FAIREY IN THE NY TIMES

October 3rd, 2008

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As the once underground world of “street art” continues its triumphant march through the public consciousness as the aesthetic zeitgeist of our times, mainstream media has played the enabler, documenting the phenomenon’s rise at every turn. This week sees the NEW YORK TIMES’ astute MELENA RYZIK following Supertouch’s own SHEPARD FAIREY through his recent bombing run in San Francisco in support of his current “Duality of Humanity” show at WHITE WALLS gallery, chronicling the aging and undisputed king wheatpaster on what must be one of his last big city runs. READ ON: Read the rest of this entry »

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Features

MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

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Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:

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FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

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By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.

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UKRAINE///FIRST LOOK: DAMIEN HIRST’S “REQUIEM” CAREER RETROSPECTIVE AT THE PINCHUK ART CENTER

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Last weekend saw the DAMIEN HIRST’s first grand spectacle of 2009 when his daunting career retrospective “Requiem” opened at the PINCHUK ART CENTER in the unlikely city of Kiev, Ukraine. Not exactly known as an epicenter of fine art (unless you count the Ukrainian girls, that is), resident steel billionaire and obsessed Hirst collector VICTOR PINCHUK aims to change that by launching the epic visual spectacle that includes over 100 works (a vast amount of which came from Pinchuk’s private collection) by the British artist from 1998 – 2008 in his own privately funded art palace that holds the title as the largest private museum in the former Soviet Union. The fact that this grandiose show of power comes at a time when…

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NEWS///RIP///IN LOVING MEMORY OF PHOTOGRAPHER SHAWN MORTENSEN 1966—2009

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It is truly with a heavy heart that we must break the news that one of Supertouch’s dear friends, photographer SHAWN MORTENSEN, passed away last nite. A kinetic force of optimism and seemingly limitless positive energy, Shawn’s hearty career as a photojournalist and artist took him around the world several times over, unselfishly spreading his endless supply of good vibes as he went. Particularly renowned for his portraits of musicians, artists, and entertainers, Shawn photographed a stunning array of pop culture demigods in his 20+ year career including…

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BEVERLY HILLS///JOHN WATERS BRINGS “REAR PROJECTION” TO HOLLYWOOD

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As a director of some of the most acclaimed highbrow B-movies of all time, Supertouch amigo JOHN WATERS needs no further introduction. Quietly working the night shift as a fine artist for years now, the Baltimore-bound obsessive’s hard work has finally landed him a spot in the most hallowed hall of the modern art world, namely, the GAGOSIAN GALLERY, where the artist’s solo “Rear Projection” show opened to a throng of Hollywood players, weirdos, fanboys and girls, and well-wishing lookie-loos on Saturday nite. Comprised largely of C-prints of photos Waters has taken of TV screens bearing his favorite stills from movies of all kinds, the works pulse with the raw humor and dry wit that is Waters’ hallmark…

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