Germany

GERMANY///TAKASHI MURAKAMI LOOMS LARGE IN FRANKFURT

December 18th, 2008

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Much has been said here at Supertouch about Japanese Pop master TAKASHI MURAKAMI’s traveling art circus otherwise known as his “© Murakami” show and its previous stops in LA & Brooklyn, so now that it’s touched down in Frankfurt Germany at the MUSEUM FÜR MODERNE KUNST, we’ll be happy to make do with a quick peek at the new installation and some of its recently-added pieces before it wraps up on January 4th. HAVE A LOOK: Read the rest of this entry »

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POSTED BY J O'Shea/Editor

GERMANY///STUDIO VISIT///SEBASTIAN KRUGER GETS THE BLUES

September 25th, 2008

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Even Germans get the blues—sometimes…

Master painter and self-described “personality portrait” artist SEBASTIAN KRUGER is a force of nature. As a classically trained painter schooled in the tradition of the old masters who just happens to be one of the world’s most incredible caricaturists (and diehard rocker), it wasn’t long before the two modes forever melded. The result is an unmistakably unique fine art style that that the artist has been working to refine—with incredible results—for the better part of two decades now. From his studio deep in the Black Forest of Germany (where little children are cooked and eaten in gingerbread houses), the almost impossibly prolific Krüger has cranked out a massive array of dauntingly articulate portraits of rock stars in recent years including Bob Dylan, Iggy Pop, and Jimi Hendrix, to name a few, but so far, the Rolling Stones have provided his greatest inspiration. Reveling in the endless lines and crevices of the now haggard faces of the aging British rock gods, Krüger has created a lengthy series of masterpiece paintings depicting the ragged five that have formed the basis of a two volume book set on the band. Now, turning his brush to the blues legends that birthed the Glimmer Twins, the artist has just put the finishing touches on a new “Blues” series that is simply epic in detail. Paying tribute to some of the genre’s foremost innovators including harp player LITTLE WALTER, and guitarists ROBERT JOHNSON, MUDDY WATERS, BB KING, ALBERT COLLINS, and “The Hook” (aka: JOHN LEE HOOKER), Krüger captures them in all their sweaty glory with a touch totally unique to the master. HAVE A LOOK: Read the rest of this entry »

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POSTED BY J O'Shea/Editor

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Features

NEWS///OPENING NITE: SHEPARD FAIREY’S “SUPPLY & DEMAND” AT CINCINNATI CAC BREAKS ATTENDANCE RECORD

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Friday was a big nite in the Midwest when SHEPARD FAIREY’s Ohio installment of his traveling retrospective “Supply & Demand” opened at the CINCINNATI CONTEMPORARY ARTS CENTER and shattered the institution’s all-time attendance record.

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NYC///ART HYPE///MR BRAINWASH PERFECTS THE ART OF TURD POLISHING WITH THE OPENING OF “ICONS”

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What has to be the final nail in the “Street Art” coffin was driven in last weekend by none other than MR. BRAINWASH (aka: “The Christian Audigier of Street Art”) when he opened his massive, self-produced “Icons” show in a rented space (which, ironically, was once a real art gallery, pre-recession) in the heart of Chelsea. As the subject of Brit Street Art king Banksy’s recent docu-parody film, “Exit Through The Gift Shop,” MBW has been the focus of much hype and speculation as his presence finally seeps into the fairly muddy stream of mainstream consciousness. Last week’s Wall Street Journal article articulated this particularly well:

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FASHION///R.I.P./// DESIGNER ALEXANDER McQUEEN COMMITS SUICIDE IN LONDON

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One of the fashion world’s foremost visionary designers ALEXANDER McQUEEN was found dead today in his London apartment, an apparent suicide just days after the death of his mother, and the suicide of one of his close friends Isabella Blow, who discovered the young designer and helped forge his early career:

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MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

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Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:

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FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

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By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.

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