Graffiti

HOLLYWOOD///STREET POLITIKS///NECK FACE’S OPEN LETTER TO OBAMA

January 23rd, 2009

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Nasty Neck makes an appeal for more than just “change” from Obama…

Last nite, graffiti gremlin NECK FACE took advantage of some down time between billboard postings on the front wall of Hollywood fashion hotspot BARRACUDA to leave a note for freshly-inaugurated President OBAMA. Representing “la gente” to the fullest, Nasty Neck lets the Big O know his economic reform package should indeed be the first order of business this week: “we don’t need change, we need dollars, homie!” In other news, Barracuda is expanding to include an art gallery component this summer. Stay tuned to Supertouch for details coming soon. HAVE A LOOK: Read the rest of this entry »

ART CRIMES///RON ENGLISH UNVEILS “ABRAHAM OBAMA” BILLBOARD IN HOLLYWOOD & SEATTLE

January 22nd, 2009

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Ron English brings “Abraham Obama” to Hollywood, and the cold heart of Seattle…

Supertouch’s own RON ENGLISH has been a very busy man in LA and Seattle this week following his stop in DC to celebrate BARACK OBAMA’s inauguration on Tuesday. Located at the corner of Pico & Fairfax in Hollywood, this newly “liberated” billboard features Ron’s iconic “Abraham Obama” hybrid portrait created for the Big O’s presidential campaign last year. HAVE A LOOK: Read the rest of this entry »

THE OC///BARRY McGEE GETS UP ON RVCA’S NEW WORLD HQ

January 22nd, 2009

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Barry McGee avoides detection in the tall weeds of OC…

In honor of the relocation of Supertouch homies RVCA to a massive new world HQ building in Costa Mesa, BARRY McGEE (aka: TWIST, Robert Pimple, Lydia Fong, etc.) made sure the building—also home to the brand-supported ANP QUARTERLY art magazine–was embellished in proper fashion.


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POSTED BY J O'Shea/Editor

MELBOURNE///OPENINGS///TODD JAMES’ “DISASTER & DOUBLE DISASTER” AT DON’T COME GALLERY

January 21st, 2009

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Todd James’ hot pink war machine…

Melbourne’s uninvitingly named hotspot DON’T COME GALLERY is currently playing host to “Disaster & Double Disaster,” a show of new paintings by NYC’s resident cartoon agitator TODD JAMES (aka: REAS) that opened its doors to a dedicated crowd of fanboys and girls last weekend. Continuing his brightly-colored critique of the American corporate war machine, James has created an extended series of medium sized pieces starring his familiar array of tanks, girls, bombs, battleships, and fighter jets, all joyfully beating the crap out of one another with plenty of blood spilled to show for it. Hopefully, with Obama officially behind the desk, REAS’ days of wartime inspiration will be numbered, but in the meantime, he’s in like Halliburton, mining the current US-led aggression for all the visual inspiration its worth. While the show is nearly sold out, four beautifully executed limited-edition prints are available for sale from Don’t Come while they last. HAVE A LOOK: Read the rest of this entry »

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POSTED BY J O'Shea/Editor

LA///ORIGINS OF STYLE///MARTHA COOPER’S “STREET SHOTS” AT SUBLIMINAL PROJECTS

January 21st, 2009

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Martha Cooper brings back the old days at Subliminal Projects…

Beginning in the 1970s, legendary NYC street photographer MARTHA COOPER captured some of the most indelible images of the vibrant upstart Hip Hop culture of pre-reconstruction Manhattan. Her massive body of color photographs documents the most crucial movers and innovators of the era, from the then-burgeoning realms of bombing, breaking, rapping, alongside everyday peeps straight-up bugging out on the block. Snapshots of what already seems like a long-bygone era when downtown was still a dirty word, rats had the right-of-way, and curb culture wasn’t yet a marketing tool are reminders of the true meaning of early Hip Hop and the power and innovation of youth culture the likes of which we might not see for some time. Currently on display at SHEPARD FAIREY’s Echo Park gallery, SUBLIMINAL PROJECTS is “Street Shots,” a must-see selection of some of Cooper’s greatest hits with visuals so vivid the sounds and smells of the era almost leap from the prints. And that’s a good thing. HAVE A LOOK: Read the rest of this entry »

MARTIN LUTHER KING DAY

January 19th, 2009

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“Human salvation lies in the hands of the creatively maladjusted.” —MLK

In honor of his historic induction into the Smithsonian Museum’s National Portrait Gallery on Saturday, today’s MARTIN LUTHER KING DAY homage comes from Supertouch’s own SHEPARD FAIREY. Being the global art phenomenon that he is, Shepard was also asked by the search engine gangsters at GOOGLE to design their MLK banner for today. Have a LOOK.

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DC///NEWS///SHEPARD FAIREY’S OBAMA PORTRAIT INDUCTED INTO THE SMITHSONIAN’S NATIONAL PORTRAIT GALLERY

January 19th, 2009

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Shepard Fairey’s criminal record has been officially wiped clean…

As momentous an occasion in the world of underground art—albeit on a much smaller scale—as BARACK OBAMA’s victory on the national stage was the induction of presidential propagandist SHEPARD FAIREY’s portrait of our new leader into the NATIONAL PORTRAIT GALLERY at the SMITHSONIAN MUSEUM on Saturday. The first official portrait of the president-to-be recognized in an American cultural institution, Shepard’s image shatters the barriers of acceptability of the so-called worlds of “underground” and “street” art to catapult one of its foremost talents to the hallowed halls of history, and forever brightening the school field trips of young museum goers in the process. It’s a brave new world out there people, art world 2.0 begins now. HAVE A LOOK: Read the rest of this entry »

TV///SHEPARD FAIREY ON THE COLBERT REPORT

January 16th, 2009

Our boy, Supertouch’s own SHEPARD FAIREY made it…

NEWS///SHEPARD FAIREY DOES THE COLBERT REPORT

January 14th, 2009

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Even at his peak ol’ Shep will be hard pressed to create a better Colbert portrait than this here…

If this doesn’t qualify as breaking the seventh seal of the apocalypse, we’re not sure what does. This Thursday, January 15th at 11:30 pm EST, underground art star and GQ Artist of the Year 2008/First Artist-elect SHEPARD FAIREY goes big on THE COLBERT REPORT to discuss the finer points of presidential portraiture, street cred, and breaking the law in the name of art. Of course, being fellow alumni of Charleston, South Carolina’s Porter-Gaud School, the two will no doubt have many a tale of high school debauchery to reminisce over. Fanboys and girls who hit the sack by 10pm can catch the replay this Friday at 10:30 am, 2:30 pm, and 8:30 pm EST. Don’t sleep…

SOUTH AMERICA///ABOVE GOES HUGE IN SANTIAGO, CHILE

December 18th, 2008

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Elusive street artist ABOVE went huge last month and dropped this massive dissertation on the virtues of left and right-handedness in Santiago, Chile, where the locals probably scratch their heads in disbelief every day at the sheer weirdness of it…

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Exclusive

Features

MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

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Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:

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FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

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By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.

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UKRAINE///FIRST LOOK: DAMIEN HIRST’S “REQUIEM” CAREER RETROSPECTIVE AT THE PINCHUK ART CENTER

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Last weekend saw the DAMIEN HIRST’s first grand spectacle of 2009 when his daunting career retrospective “Requiem” opened at the PINCHUK ART CENTER in the unlikely city of Kiev, Ukraine. Not exactly known as an epicenter of fine art (unless you count the Ukrainian girls, that is), resident steel billionaire and obsessed Hirst collector VICTOR PINCHUK aims to change that by launching the epic visual spectacle that includes over 100 works (a vast amount of which came from Pinchuk’s private collection) by the British artist from 1998 – 2008 in his own privately funded art palace that holds the title as the largest private museum in the former Soviet Union. The fact that this grandiose show of power comes at a time when…

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NEWS///RIP///IN LOVING MEMORY OF PHOTOGRAPHER SHAWN MORTENSEN 1966—2009

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It is truly with a heavy heart that we must break the news that one of Supertouch’s dear friends, photographer SHAWN MORTENSEN, passed away last nite. A kinetic force of optimism and seemingly limitless positive energy, Shawn’s hearty career as a photojournalist and artist took him around the world several times over, unselfishly spreading his endless supply of good vibes as he went. Particularly renowned for his portraits of musicians, artists, and entertainers, Shawn photographed a stunning array of pop culture demigods in his 20+ year career including…

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BEVERLY HILLS///JOHN WATERS BRINGS “REAR PROJECTION” TO HOLLYWOOD

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As a director of some of the most acclaimed highbrow B-movies of all time, Supertouch amigo JOHN WATERS needs no further introduction. Quietly working the night shift as a fine artist for years now, the Baltimore-bound obsessive’s hard work has finally landed him a spot in the most hallowed hall of the modern art world, namely, the GAGOSIAN GALLERY, where the artist’s solo “Rear Projection” show opened to a throng of Hollywood players, weirdos, fanboys and girls, and well-wishing lookie-loos on Saturday nite. Comprised largely of C-prints of photos Waters has taken of TV screens bearing his favorite stills from movies of all kinds, the works pulse with the raw humor and dry wit that is Waters’ hallmark…

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