Shepard Fairey

LA///OPENINGS///”NEW WORKS BY ALBERT REYES & ANDREAS GUERRERO” AT SUBLIMINAL PROJECTS

February 8th, 2010

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Shepard Fairey took a break from the turntables to hang with Weezer’s Brian Bell, while beauty echoed beauty elsewhere in the gallery…

SHEPARD FAIREY’s Echo Park hotspot, SUBLIMINAL PROJECTS played host to the opening of a show of new works by comrades-in-arms ANDREAS GUERRERO and ALBERT REYES on Saturday nite, proving to be the undisputed bright spot of an otherwise gloomy weekend in the Southland. Showcasing his typical demented teenage Hessian detention room drawing style, Reyes produced an unfailingly funny array of new offerings and prints featuring subjects as diverse as Obama, Ghandi, Woody Allen, and Iron Maiden muse Eddie. Guerrero, conversely, consturcted much of his skull-centric imagery from layers of collaged currency which appeared to be angular homages to Damien Hirst’s Calavera spin paintings. Above all, the show proved that Subliminal’s dedication to presenting good emerging art at great prices will make it one of the last galleries standing when this bleak economic crisis finally runs its long, dark, demonic course. HAVE A LOOK: Read the rest of this entry »

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POSTED BY J O'Shea/Editor

NEWS///SHEPARD FAIREY TO RELEASE HAITI CHARITY POSTER

February 4th, 2010

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ST buddy SHEPARD FAIREY has teamed up with his STUDIO NUMBER ONE (creaters of the “Hope For Haiti” CD cover) designers CLEON PETERSON and CASEY RYDER to create a new poster for HAITI relief based on a photo by TAO RUSPOLI. The $50 signed and numbered edition goes on sale at an unannounced time on Friday, February 5th at Obeygiant.com, with all proceeds from the sales going to ARTISTS FOR PEACE AND JUSTICE:

“Artists for Peace and Justice (APJ), established in early 2009, is a fundraising effort founded by Paul Haggis and friends that encourages peace and social justice and addresses issues of poverty and enfranchisement in communities around the world. Over the past year, APJ has directed its efforts to raising enough funds to fully sponsor three schools in Haiti in support of the initiatives of Father Rick Frechette and his team. These schools aren’t just a place to learn but provide for a hot meal, clean water and a chance at the future to children who desperately need it. Following the devastating earthquake in Haiti, APJ has focused its efforts on raising much needed dollars for emergency aid in the ravaged country that is only a few hours from our shores.”
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POSTED BY J O'Shea/Editor

FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

February 2nd, 2010

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Shep needs love, and pays graphic homage to one of downtown NYC’s foremost artistic forebears…

By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history. And that’s saying a lot, given SoHo’s storied art legacy. As Shepard toils away in his LA painting studio logging long hours behind the spray can and paintbrush, DEITCH PROJECTS ST’s own Jamie O’Shea dropped by the spot for an exclusive look at the work in progress (portraits of artists, musicians, gurus, and politicians), easily some of his finest to date. Since we couldn’t reveal most of the new works in full, cropped eye shots of the large canvases will have to do for now. Stay tuned to ST for a comprehensive first look as May draws near. Meanwhile, HAVE A LOOK: Read the rest of this entry »

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POSTED BY J O'Shea/Editor

NEWS///SHEPARD FAIREY RELEASES CHARITY T-SHIRT FOR HAITI RELIEF

January 24th, 2010

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ST’s own SHEPARD FAIREY has teamed up with his design studio STUDIO NUMBER ONE to create and release a signature T-Shirt to raise money for Haitian relief. Priced at $15 and available through CAFE PRESS, 100% of the shirt’s proceeds with benefit UNICEF, which provides direct aid to displaced Haitian children an helps reunite orphaned children with their family members.

***Please don’t forget you can contribute funds immediately to the RED CROSS by texting “HAITI” to 90999 to donate $10 to their relief efforts in Haiti.

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ITALY///NEWS///LANCE ARMSTRONG PUTS HIS CUSTOM SHEPARD FAIREY “DAILY DRIVER” TREK ART BIKE TO WORK IN THE GIRO D’ ITALIA

May 11th, 2009

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Supertouch buddy LANCE ARMSTRONG has added his custom SHEPARD FAIREY-designed TREK Madone cycle into rotation as he rides in the 100th edition of the legendary GIRO D’ITALIA race in support of teammate LEVI LEIPHEIMER. With a matching Shepard Fairey-designed brain bucket to boot, Lance is sporting a coordinated ensemble that even Bruno would give an enthusiastic “Ach ja.”

*Watch live feed of the Giro daily HERE

ITALY///GIRO’S NEW SHEPARD FAIREY HELMET FOR LANCE ARMSTRONG’S RUN IN THE GIRO D’ITALIA

May 6th, 2009

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As if LANCE ARMSTRONG’s Supertouch-curated custom SHEPARD FAIREY-designed TREK MADONE road cycle wasn’t enough to snap necks at this month’s GIRO D’ITALIA race, helmet company GIRO has just created a matching lid to up the ante. Incorporating swaths of graphics from Shep’s race bike the helmet might just see the light of day on store shelves as an incredibly limited-edition run with proceeds from sales going to benefit LIVESTRONG. Keep an eye on ST for more updates in the coming week, including the chance to win one of the coveted brain buckets…

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Where your brain could end up without one of these lids…

NEWS///THE MAKING OF LANCE ARMSTRONG’S SHEPARD FAIREY-DESIGNED TREK MADONE

May 5th, 2009

Creating SHEPARD FAIREY’s new TREK MADONE racing cycle for LANCE ARMSTRONG’s run in this month’s GIRO D’ITALIA was no easy task. Luckily, Trek artist SHANE SIEDSCHLAG is nice with a blade and a decal sheet…

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When pressed about Shep’s new bike in Rome today, Lance told an AP reporter: “I’m a fan of his artwork. I collect his artwork. The bike that he did for this race I think is pretty stunning.”

NEWS///ANIMATIRX///SOUTH PARK DOES SHEPARD FAIREY

March 20th, 2009

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It was only a matter of time, Supertouch’s own SHEPARD FAIREY’s iconic OBAMA campaign artwork finally made its way to SOUTH PARK last nite where the Big O received the typical Matt & Tre makeover on the season’s latest episode. Watch it HERE

NEWS///THE NY TIMES ON SHEPARD FAIREY’S FIGHT WITH BOSTON LEGAL

March 19th, 2009

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BOSTON VANDALISM CHARGES STIR DEBATE ON ART’S PLACE

By Abby Goodnough, NYTimes

BOSTON — This may be the only place in America where Shepard Fairey, the street artist whose omnipresent portrait of Barack Obama has become a touchstone, is not fully feeling the love.

Mr. Fairey appeared in two municipal courts here this week to fight a cascade of vandalism charges accusing him of pasting his work on public and private property from the Back Bay to Roxbury. While this is not his first encounter with the police — Mr. Fairey has been arrested more than a dozen times for posting his art on whatever surface catches his eye — it appears to be his biggest legal tangle to date.

By Wednesday, Mr. Fairey, who lives in Los Angeles, had pleaded not guilty to one misdemeanor and 13 felony charges; his lawyer said the police were pursuing 19 more counts.

In a statement Tuesday, Mr. Fairey accused the police of “gratuitous piling on” and suggested he was being punished for advocating that public space “should be filled with more than just commercial advertising.” On the advice of his lawyer, Jeffrey Wiesner, he declined an interview request.

Mr. Fairey’s court appearances came a month after he was arrested on Feb. 6 as he arrived at the opening-night party for his retrospective at the Institute of Contemporary Art. His cab was approaching the museum when the police stopped it, handcuffed him and took him to jail overnight. Click HERE to continue reading…

NEWS///MUST READ: CARLO McCORMICK ON SHEPARD FAIREY FOR ART IN AMERICA

March 12th, 2009

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A wise man once said “writing about art is like dancing about architecture,” but in a world where oceans of self-aggrandizing “artspeak” usually says much about an author’s ego and little to nothing about artwork itself, Supertouch’s own resident legendary art writer CARLO McCORMICK is the exception to the rule. This month finds him penning an incredibly astute piece on SHEPARD FAIREY for ART IN AMERICA from the rarified perspective of a genuinely street-level art world insider more at home on the Bowery than in Chelsea. At a time when the slow-moving mainstream art world and its legion of stiff-jointed scribes are playing years of painful catch-up on the “street art” game, this is a must-read:

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By Carlo McCormick | Art in America

In a thank-you note written by Barack Obama to street artist Shepard Fairey for the pictorial provocateur’s singular contribution to branding his campaign for the presidency, the then senator wrote: “The political messages involved in your work have encouraged Americans to believe that they can help change the status-quo. Your images have a profound effect on people, whether seen in a gallery or on a stop sign.”

High praise indeed from such a highly regarded public figure. But what it ultimately says—that there is a cultural equivalence between fine art shown in established venues and artistic expressions put up illegally on private or government property—represents a tacit sanction of street art from the leader of the free world that is a dramatic shift in the perceived role of art as a radical tool of social intervention.

Emblazoned in our collective mind’s eye as a defining icon of optimism and change, Fairey’s Obama Hope poster, certainly one of his most endearing and personable images, is such a signature work that the original collage was recently acquired by the Smithsonian’s National Portrait Gallery, and related images graced the covers of Time and Esquire. It is, however, not a fleeting pop-culture sensation but simply the latest crossover hit in a long line of underground classics.

Fairey has made such an indelible mark on our visual landscape that it is difficult to avoid the platitudes we might otherwise eschew in the discourse of contemporary art. As he comes under greater scrutiny from the art establishment with a major retrospective of his work, now on view at Boston’s Institute of Contemporary Art, it is worth noting that his renown has grown organically from the streets and a global youth culture that the mainstream art world has only a vague grasp of. Click HERE to continue reading…

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Features

MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

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Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:

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FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

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By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.

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UKRAINE///FIRST LOOK: DAMIEN HIRST’S “REQUIEM” CAREER RETROSPECTIVE AT THE PINCHUK ART CENTER

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Last weekend saw the DAMIEN HIRST’s first grand spectacle of 2009 when his daunting career retrospective “Requiem” opened at the PINCHUK ART CENTER in the unlikely city of Kiev, Ukraine. Not exactly known as an epicenter of fine art (unless you count the Ukrainian girls, that is), resident steel billionaire and obsessed Hirst collector VICTOR PINCHUK aims to change that by launching the epic visual spectacle that includes over 100 works (a vast amount of which came from Pinchuk’s private collection) by the British artist from 1998 – 2008 in his own privately funded art palace that holds the title as the largest private museum in the former Soviet Union. The fact that this grandiose show of power comes at a time when…

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NEWS///RIP///IN LOVING MEMORY OF PHOTOGRAPHER SHAWN MORTENSEN 1966—2009

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It is truly with a heavy heart that we must break the news that one of Supertouch’s dear friends, photographer SHAWN MORTENSEN, passed away last nite. A kinetic force of optimism and seemingly limitless positive energy, Shawn’s hearty career as a photojournalist and artist took him around the world several times over, unselfishly spreading his endless supply of good vibes as he went. Particularly renowned for his portraits of musicians, artists, and entertainers, Shawn photographed a stunning array of pop culture demigods in his 20+ year career including…

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BEVERLY HILLS///JOHN WATERS BRINGS “REAR PROJECTION” TO HOLLYWOOD

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As a director of some of the most acclaimed highbrow B-movies of all time, Supertouch amigo JOHN WATERS needs no further introduction. Quietly working the night shift as a fine artist for years now, the Baltimore-bound obsessive’s hard work has finally landed him a spot in the most hallowed hall of the modern art world, namely, the GAGOSIAN GALLERY, where the artist’s solo “Rear Projection” show opened to a throng of Hollywood players, weirdos, fanboys and girls, and well-wishing lookie-loos on Saturday nite. Comprised largely of C-prints of photos Waters has taken of TV screens bearing his favorite stills from movies of all kinds, the works pulse with the raw humor and dry wit that is Waters’ hallmark…

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