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Got something you’re dying to tell us? Drop us a line at Supertouchart@gmail.com. We’re dying to hear what you have to say. If you’ve got an artist to recommend, an art show we should check out, some ill graffiti on your block we should know about, or you just want to stalk us, we’re here for you. If you’re emailing us photos, don’t send huge files as they will most likely not go through. Be sure to include your name and contact info so we can credit you…REVIEW MATERIALSSupertouch accepts and encourages product submissions for review on Supertouchart.com. Please note that unless prior arrangements have been made, no submitted materials can be returned and Supertouch assumes no responsibility for the handling or care of any unsolicited materials whatsoever.SEND SUBMISSIONS TO:

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WHAT WE LIKE TO REVIEW:Books, music, clothing, toys, photographic equipment, video games, technology, and any other cool art & design materials in general.*SUBMISSION GUIDELINES (important, please read):Please do not submit any materials to Supertouch that must be returned or are valuable, one-of-a-kind items. All materials sent to Supertouch for consideration become property of Supertouch and no responsibility can be accepted for their loss or return. Artists, if you are submitting images for consideration, please submit jpegs on a CD or DVD. Unless you have made prior arrangements with the staff of Supertouch, no materials submitted can be returned.

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Features

NEWS///OPENING NITE: SHEPARD FAIREY’S “SUPPLY & DEMAND” AT CINCINNATI CAC BREAKS ATTENDANCE RECORD

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Friday was a big nite in the Midwest when SHEPARD FAIREY’s Ohio installment of his traveling retrospective “Supply & Demand” opened at the CINCINNATI CONTEMPORARY ARTS CENTER and shattered the institution’s all-time attendance record.

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NYC///ART HYPE///MR BRAINWASH PERFECTS THE ART OF TURD POLISHING WITH THE OPENING OF “ICONS”

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What has to be the final nail in the “Street Art” coffin was driven in last weekend by none other than MR. BRAINWASH (aka: “The Christian Audigier of Street Art”) when he opened his massive, self-produced “Icons” show in a rented space (which, ironically, was once a real art gallery, pre-recession) in the heart of Chelsea. As the subject of Brit Street Art king Banksy’s recent docu-parody film, “Exit Through The Gift Shop,” MBW has been the focus of much hype and speculation as his presence finally seeps into the fairly muddy stream of mainstream consciousness. Last week’s Wall Street Journal article articulated this particularly well:

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FASHION///R.I.P./// DESIGNER ALEXANDER McQUEEN COMMITS SUICIDE IN LONDON

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One of the fashion world’s foremost visionary designers ALEXANDER McQUEEN was found dead today in his London apartment, an apparent suicide just days after the death of his mother, and the suicide of one of his close friends Isabella Blow, who discovered the young designer and helped forge his early career:

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MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

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Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:

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FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

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By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.

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