Posts Tagged ‘Basquiat’

LONDON///ART & COMMERCE///U2’s BASQUIAT MASTERPIECE SOLD AT AUCTION…

July 3rd, 2008

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Even this Basquiat masterpiece couldn’t stand U2’s music anymore…

It’s an accepted truism that the best pieces by the deceased street art/Pop master JEAN–MICHEL BASQUIAT are all in the hands of knowing private collectors at this point where they’re likely to stay for some time to come. That fact alone would normally be enough to make the early ’80s masterpiece painting “Untitled (Pecho/Oreja), 1983” auctioned yesterday at Sotheby’s for a healthy £5,000,000 ($9,962,699 USD) especially noteworthy—if it weren’t coming from the private collection of U2, that is. Originally purchased by the Irish band at a posthumous Basquiat show at Robert Miller Gallery in New York in 1989 (Samo OD’d in 1988) for a mere fraction of its current value, the huge painting hung as a backdrop in their Dublin studio and was present at the recording of their albums beginning with “Achtung Baby” until the band mysteriously decided to part ways with it this month. Believed to be a self-portrait created by the then-22-year-old art star in his basement studio beneath Anina Nosei’s gallery, the piece is a truly incredible painting by the late artist and a find of even rarer quality on the open market these days. Of course, it was picked up by an unnamed private European collector who obviously lives somewhere where money is still worth something. HAVE A LOOK: Read the rest of this entry »

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NEWS///OPENING NITE: SHEPARD FAIREY’S “SUPPLY & DEMAND” AT CINCINNATI CAC BREAKS ATTENDANCE RECORD

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Friday was a big nite in the Midwest when SHEPARD FAIREY’s Ohio installment of his traveling retrospective “Supply & Demand” opened at the CINCINNATI CONTEMPORARY ARTS CENTER and shattered the institution’s all-time attendance record.

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NYC///ART HYPE///MR BRAINWASH PERFECTS THE ART OF TURD POLISHING WITH THE OPENING OF “ICONS”

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What has to be the final nail in the “Street Art” coffin was driven in last weekend by none other than MR. BRAINWASH (aka: “The Christian Audigier of Street Art”) when he opened his massive, self-produced “Icons” show in a rented space (which, ironically, was once a real art gallery, pre-recession) in the heart of Chelsea. As the subject of Brit Street Art king Banksy’s recent docu-parody film, “Exit Through The Gift Shop,” MBW has been the focus of much hype and speculation as his presence finally seeps into the fairly muddy stream of mainstream consciousness. Last week’s Wall Street Journal article articulated this particularly well:

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FASHION///R.I.P./// DESIGNER ALEXANDER McQUEEN COMMITS SUICIDE IN LONDON

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One of the fashion world’s foremost visionary designers ALEXANDER McQUEEN was found dead today in his London apartment, an apparent suicide just days after the death of his mother, and the suicide of one of his close friends Isabella Blow, who discovered the young designer and helped forge his early career:

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MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

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Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:

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FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

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By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.

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