Posts Tagged ‘Dan Colen’

NYC///MUST SEE SHOW: DAN COLEN & NATE LOWMANN AT MACCARONE GALLERY…

April 18th, 2008

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Downtown art stars DAN COLEN & NATE LOWMAN unveiled their eye-popping collaborative slacker deconstructionist extravaganza of an art exhibition, “Wet Pain” late last month at the prestigious MACCARONE GALLERY and for better or worse, it stands as a testament to the state of the burgeoning downtown art scene as it looks today. Loaded with heavy doses of young male angst and de rigueur dirtied up found object installations—including funky found T-shirts, car rims, advertising imagery and sex toys—alongside more formal graphic works, the exhibition is a less dire installation than Colen’s recent shredded phone book & graffiti construction at Deitch Projects but a distinctly ephemeral assemblage nonetheless. The bit of unexplained “Odd Couple”-esque dramatic narrative reproduced below that served as the show’s manifesto only adds to the mystique for the headscratchers in the crowd. You’ve got till April 26th to see it in person, meanwhile, HAVE A LOOK: Read the rest of this entry »

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POSTED BY J O'Shea/Editor

BROOKLYN///SAVED TATTOO’S “ALONE AGAINST ALL”…

October 2nd, 2007

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Last weekend Brooklyn’s emporium of high tattoo art, SCOTT CAMPBELL’s SAVED TATTOO played host to the East Coast installment of the American Breast Cancer Foundation’s charity art show “Seul Contre Tous (’Alone Against All’): Art for a Cure” where tattoo art heavyweights like CHRIS CONN, FILIP LEU, HORIYOSHI III, GRIME, CHRIS O’DONNELL, TIM LEHI, and DAN TROCCHIO, showed original works alongside modern art stars like BANKSY, SHEPARD FAIREY, DEREK HESS, MICHAEL HUSSAR, and BLEK LE RAT. All work sold benefits the research foundation directly and is tax deductible, so break out those black cards and ring up our boy Othelo (718 486 0850) now to take home some original art. HAVE A LOOK:

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NEWS///OPENING NITE: SHEPARD FAIREY’S “SUPPLY & DEMAND” AT CINCINNATI CAC BREAKS ATTENDANCE RECORD

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Friday was a big nite in the Midwest when SHEPARD FAIREY’s Ohio installment of his traveling retrospective “Supply & Demand” opened at the CINCINNATI CONTEMPORARY ARTS CENTER and shattered the institution’s all-time attendance record.

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NYC///ART HYPE///MR BRAINWASH PERFECTS THE ART OF TURD POLISHING WITH THE OPENING OF “ICONS”

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What has to be the final nail in the “Street Art” coffin was driven in last weekend by none other than MR. BRAINWASH (aka: “The Christian Audigier of Street Art”) when he opened his massive, self-produced “Icons” show in a rented space (which, ironically, was once a real art gallery, pre-recession) in the heart of Chelsea. As the subject of Brit Street Art king Banksy’s recent docu-parody film, “Exit Through The Gift Shop,” MBW has been the focus of much hype and speculation as his presence finally seeps into the fairly muddy stream of mainstream consciousness. Last week’s Wall Street Journal article articulated this particularly well:

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FASHION///R.I.P./// DESIGNER ALEXANDER McQUEEN COMMITS SUICIDE IN LONDON

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One of the fashion world’s foremost visionary designers ALEXANDER McQUEEN was found dead today in his London apartment, an apparent suicide just days after the death of his mother, and the suicide of one of his close friends Isabella Blow, who discovered the young designer and helped forge his early career:

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MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

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Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:

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FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

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By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.

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