Posts Tagged ‘Deitch Projects’

NYC///OPENINGS///OS GEMEOS’ “TOO FAR TOO CLOSE” AT DEITCH PROJECTS…

July 1st, 2008

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Expecting mass attendance, Jeffrey Deitch hired a crack security team…

The two-headed Brasilian art phenomenon that is OS GEMEOS (Portuguese for “The Twins“) brought their fantastic art circus to NYC when their phenomenal show of new work “Too Far Too Close” opened at DEITCH PROJECTS as the art party of the summer on Saturday nite. In it, identical 24-year-old twin brothers GUSTAVO and OTAVIO PANDOLFO have created a sprawling cityscape within superstar downtown art dealer JEFFREY DEITCH’s cavernous Wooster Street space. Mirroring their psychedelic storybook street paintings that cover the city walls of their native Sao Paulo, Os Gemeos have expanded upon a smaller show of non-commercial work first debuted at the Museum Het Domein in the Netherlands in late 2007 and constructed an immersive dream world of paintings, sculpture, and large-scale installations that transport viewers from the jaded streets of SoHo to the deepest reaches of their prodigious imagination. HAVE A LOOK: Read the rest of this entry »

NYC///STREET LIFE///THE KEITH HARING MEMORIAL MURAL…

May 3rd, 2008

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There’s something just right about this combination…

To commemorate what would have been legendary Street/Pop artist KEITH HARING’s 50th birthday this Sunday, May 4th, DEITCH PROJECTS, in collaboration with THE KEITH HARING FOUNDATION, have recreated the legendary mural painted by the late artist in the summer of 1982 on Houston Street at Bowery in what was then the center of the downtown art & gallery scene. Faithfully replicated by GOTHAM SCENIC from TSENG KWONG CHI’s extensive archival photo documentation of the original piece, the mural has been repainted in the exact spot on the exact wall where it first appeared over 25 years ago. To ensure color-matching accuracy, original samples were procured by scraping away layers of paint on the wall until pieces of the original image were revealed.  The mural is set to be “officially unveiled” this Sunday with a formal dedication ceremony but it’s already up for all to see. Space for the memorial was donated by real estate developer Tony Goldman, who owns the wall and the stunningly dayglo mural will remain on display until December 21st. Streetwise New Yorkers will remember this spot as the corner where a revolving cast of graffiti artists have left their mark for decades, and, most recently, where downtown graff gargoyle NECK FACE’s most prominent tag has remained unmolested by haters for the past several years…

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The corner as it appeared shortly before the Haring repaint. Adios, Nasty Neck…

BACK IN THE DAY:
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A vintage photo of Haring’s original mural shortly after he painted it in 1982. We miss the old New York… (Photograph by TSENG KWONG CHI)

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NEWS///OPENING NITE: SHEPARD FAIREY’S “SUPPLY & DEMAND” AT CINCINNATI CAC BREAKS ATTENDANCE RECORD

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Friday was a big nite in the Midwest when SHEPARD FAIREY’s Ohio installment of his traveling retrospective “Supply & Demand” opened at the CINCINNATI CONTEMPORARY ARTS CENTER and shattered the institution’s all-time attendance record.

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NYC///ART HYPE///MR BRAINWASH PERFECTS THE ART OF TURD POLISHING WITH THE OPENING OF “ICONS”

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What has to be the final nail in the “Street Art” coffin was driven in last weekend by none other than MR. BRAINWASH (aka: “The Christian Audigier of Street Art”) when he opened his massive, self-produced “Icons” show in a rented space (which, ironically, was once a real art gallery, pre-recession) in the heart of Chelsea. As the subject of Brit Street Art king Banksy’s recent docu-parody film, “Exit Through The Gift Shop,” MBW has been the focus of much hype and speculation as his presence finally seeps into the fairly muddy stream of mainstream consciousness. Last week’s Wall Street Journal article articulated this particularly well:

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FASHION///R.I.P./// DESIGNER ALEXANDER McQUEEN COMMITS SUICIDE IN LONDON

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One of the fashion world’s foremost visionary designers ALEXANDER McQUEEN was found dead today in his London apartment, an apparent suicide just days after the death of his mother, and the suicide of one of his close friends Isabella Blow, who discovered the young designer and helped forge his early career:

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MOCA’S “COLLECTION: THE FIRST THIRTY YEARS” PROVES THE MUSEUM SHOULD BE AROUND FOR 30 MORE

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Despite MOCA’s financial woes of late and near collapse last year amid the chaos of the economic holocaust, the veritable Southland institution seems on to a bright future now, having secured ST buddy JEFFREY DEITCH as its new director (starting June 1) and financial security (for the moment). If ever there was a time to celebrate, it is now. HAVE A LOOK:

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FEATURE///IN THE STUDIO WITH SHEPARD FAIREY AS HE PREPARES FOR DEITCH GALLERY’S CLOSING SHOW

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By now it’s no secret that JEFFREY DEITCH is closing shop in downtown NYC to head West for the sunnier confines of the MoCA Director’s office, starting June 1st. That leaves SHEPARD FAIREY’s upcoming portrait show as the farewell exhibition at one of the city’s most legendary and influential commercial art institutions in the city’s history.

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